MusicBrainz recording

I’ll Get By (as Long as I Have You) (take 1)

Billie Holiday with Teddy Wilson & His Orchestra 3:10
faa05014-d6f9-4010-98b8-e361a31272a8 View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
601
linking them to it
Fingerprints
80
distinct audio files
Duration
3:05–3:17
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 74c0dab1-a1b4-4a44-a7f7-75c60afb77de
Also linked to I'll Get By by Billie Holiday, I'll Get By by Billie Holiday and
18 3:06–3:10
541
B 586441bf-3e27-462d-8af9-5a5afa3a9026
Also linked to I’ll Get By by Billie Holiday & Lester Young, I’ll Get By by Billie Holiday and
19 3:07–3:12
15
C c6c28a0e-0180-490f-a383-375bd4ddced0
Also linked to Can We Fix It? by Bob the Builder, Can We Fix It? by Bob the Builder and
10 3:05–3:10
12
D 7f3c10f5-00f9-4ffb-935c-cdd26f3459e7
Also linked to I’ll Get By (as Long as I Have You) (take 2) by Billie Holiday with Teddy Wilson & His Orchestra, I'll Get By (As long as I Have You) by Billie Holiday and
9 3:06–3:13
12
E c8e99f51-314b-44b2-9300-634d9e8ce257
Also linked to As Time Goes By by Billie Holiday, As Time Goes By #2 by Billie Holiday and
8 3:12–3:17
8
F 21462b40-a3a5-45cd-9982-88a35a28c6bb
Also linked to I'll Get By by Billie Holiday
2 3:08
5
G dccdaccf-4499-4328-98c2-61d66f92ed62
Also linked to I'll Get By (As Long As I Have You) by Billie Holiday
1 3:10
2
H 9f8d5e0a-f989-4f92-9839-97a6a8bf7636 1 3:09
2
I 1c92774e-c056-4e9f-95ff-a5ee6354aafb
Also linked to I'll Get By by Billie Holiday
2 3:06–3:07
2
J 13f4fd2d-07ad-41b8-84ae-d66fba76a388
Also linked to I'll Get By by Billie Holiday with Teddy Wilson and His Orchestra, I’ll Get By by Billie Holiday
4 3:07–3:12
1
K 57ffd554-13fd-498c-ae4c-17778595e886
Also linked to I’ll Get By by Billie Holiday, I’ll Get By by Billie Holiday & Lester Young
6 3:07–3:09
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.