MusicBrainz recording
I'll Get By
Billie Holiday
3:09
dd99e10a-226f-4a1e-bd4b-913e13dfe36a
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
28
linking them to it
Fingerprints
44
distinct audio files
Duration
3:00–3:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
21462b40-a3a5-45cd-9982-88a35a28c6bb
Also linked to
I’ll Get By (as Long as I Have You) (take 1) by Billie Holiday with Teddy Wilson & His Orchestra
|
2 | 3:08 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
74c0dab1-a1b4-4a44-a7f7-75c60afb77de
Also linked to
I’ll Get By (as Long as I Have You) (take 1) by Billie Holiday with Teddy Wilson & His Orchestra, I'll Get By by Billie Holiday and
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18 | 3:06–3:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
586441bf-3e27-462d-8af9-5a5afa3a9026
Also linked to
I’ll Get By by Billie Holiday & Lester Young, I’ll Get By (as Long as I Have You) (take 1) by Billie Holiday with Teddy Wilson & His Orchestra and
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19 | 3:07–3:12 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
01bf4ac1-f94e-427a-b036-36b374921f4c
Also linked to
I’ll Get By by Billie Holiday, I'll Get By by Billie Holiday
|
3 | 3:00–3:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
1c92774e-c056-4e9f-95ff-a5ee6354aafb
Also linked to
I’ll Get By (as Long as I Have You) (take 1) by Billie Holiday with Teddy Wilson & His Orchestra
|
2 | 3:06–3:07 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.