open source audio identification
MusicBrainz recording
I’ll Get By (as Long as I Have You)
Billie Holiday
3:01
72308c44-d7de-47a8-b80a-e3a5db371c46
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
49
linking them to it
Fingerprints
43
distinct audio files
Duration
2:56–3:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
7dbecc99-f817-47e9-84c3-66c11d3a507d
Also linked to
I’ll Get By (as Long as I Have You) by Billie Holiday, I’ll Get By by Billie Holiday and
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11 | 2:58–3:01 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
0f19ad14-ea27-49be-96da-bbeb13733792
Also linked to
I’ll Get By (as Long as I Have You) by Billie Holiday, I'll Get By by Billie Holiday and
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10 | 2:56–3:01 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
059c64dc-b15c-4a68-9bde-2d34d40171e5
Also linked to
I'll Get By by Billie Holiday, I’ll Get By by Billie Holiday and
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5 | 2:57–3:01 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
3b2f021e-0e5c-49db-9a95-cd1f9e1de995
Also linked to
I’ll Get By by Billie Holiday, I’ll Get By by Billie Holiday and
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6 | 3:08–3:12 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
7f3c10f5-00f9-4ffb-935c-cdd26f3459e7
Also linked to
I’ll Get By (as Long as I Have You) (take 2) by Billie Holiday with Teddy Wilson & His Orchestra, I’ll Get By (as Long as I Have You) (take 1) by Billie Holiday with Teddy Wilson & His Orchestra and
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9 | 3:06–3:13 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
df1d88a1-6a3e-4776-841a-4a1847cd9058
Also linked to
I’ll Get By (As long as I Have) by Billie Holiday
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2 | 3:01 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.