open source audio identification
MusicBrainz recording
I’m Beginning to See the Light
Duke Ellington
3:13
cc3c56d2-3dad-4634-b555-eca8e41658be
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
29
linking them to it
Fingerprints
27
distinct audio files
Duration
3:10–3:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
064f7089-44cb-4b4b-aad2-a3792f3c9e8a
Also linked to
I'm Beginning to See the Light by Duke Ellington and His Orchestra, I'm Beginning to See the Light by Duke Ellington and
|
5 | 3:12–3:17 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
76de0f4b-8103-4420-a5d8-003d1db066e4
Also linked to
I'm Beginning to See the Light by Duke Ellington, I’m Beginning to See the Light by Duke Ellington & His Orchestra and
|
14 | 3:13–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
2a89a221-c712-4e71-a658-607b8686cf30
Also linked to
I'm Beginning to See the Light by Duke Ellington & His Orchestra, I'm Beginning to See the Light by Duke Ellington
|
1 | 3:10 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
b1991516-8b46-4e00-a6f3-f280189c038d
Also linked to
I’m Beginning to See the Light by Duke Ellington & His Orchestra, I'm Beginning to See the Light by Duke Ellington and His Orchestra and
|
1 | 3:11 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
ed51cf4b-608a-44dc-aec1-748ed31723cf
Also linked to
I'm Beginning To See The Light by Duke Ellington, I’m Beginning to See the Light by Duke Ellington
|
6 | 3:14–3:18 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.