open source audio identification
MusicBrainz recording
I’m Beginning to See the Light
Duke Ellington
3:17
fb5d1f4c-cb8e-400d-b07e-6963fa2d8a17
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
8
linking them to it
Fingerprints
49
distinct audio files
Duration
3:03–3:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
ed51cf4b-608a-44dc-aec1-748ed31723cf
Also linked to
I'm Beginning To See The Light by Duke Ellington, I’m Beginning to See the Light by Duke Ellington
|
6 | 3:14–3:18 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
76de0f4b-8103-4420-a5d8-003d1db066e4
Also linked to
I'm Beginning to See the Light by Duke Ellington, I’m Beginning to See the Light by Duke Ellington & His Orchestra and
|
14 | 3:13–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
6b9a5e9f-8c74-4498-a107-9c90b01e8461
Also linked to
I'm Beginning to See the Light by Duke Ellington & His Orchestra, I'm Beginning to See the Light by Duke Ellington & His Orchestra and
|
13 | 3:13–3:18 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
273d6e2d-d333-4f49-8df3-aa2b2a18867f
Also linked to
I’m Beginning to See the Light by Harry James and His Orchestra, I’m Beginning to See the Light by Helen Forrest and
|
15 | 3:03–3:10 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
b1991516-8b46-4e00-a6f3-f280189c038d
Also linked to
I’m Beginning to See the Light by Duke Ellington & His Orchestra, I'm Beginning to See the Light by Duke Ellington and His Orchestra and
|
1 | 3:11 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.