open source audio identification
MusicBrainz recording
I’m Beginning to See the Light
Harry James and His Orchestra
3:14
4d8687d7-8cd4-4b57-9306-bbf5d207cbaf
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
76
linking them to it
Fingerprints
50
distinct audio files
Duration
3:12–3:27
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
fb28ca88-aa87-4b4b-a561-963ab0ddb66b
Also linked to
I’m Beginning to See the Light by Harry James and His Orchestra vocal by Kitty Kallen, I'm Beginning to See the Light by Harry James
|
2 | 3:17 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
63df8bee-99dc-4345-a489-1c0485e0fd4f
Also linked to
I’m Beginning to See the Light by Harry James and His Orchestra vocal by Kitty Kallen, I'm Beginning to See the Light by Harry James and
|
28 | 3:13–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
df9553c3-1204-4975-a4e9-083f52422604
Also linked to
I’m Beginning to See the Light by Harry James and His Orchestra vocal by Kitty Kallen, I’m Beginning to See the Light by Harry James & Kitty Kallen and
|
14 | 3:12–3:18 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
064f7089-44cb-4b4b-aad2-a3792f3c9e8a
Also linked to
I’m Beginning to See the Light by Duke Ellington, I'm Beginning to See the Light by Duke Ellington and His Orchestra and
|
5 | 3:12–3:17 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | e34d799a-6e27-4152-b8d6-0bde3b02190f | 1 | 3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.