open source audio identification
MusicBrainz recording
The Last Gig of Johnny B. Goode
Leo Sayer
3:47
93cfaf66-93d4-43e3-8eae-a26fb16feb22
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
56
linking them to it
Fingerprints
20
distinct audio files
Duration
3:44–3:51
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 88c2b99e-06ec-4cd9-9ca3-73243d55447d | 3 | 3:49–3:51 | |||||||||||||||||||||||
| B | a924fee2-821b-472d-becc-f725438ed5c3 | 1 | 3:47 | |||||||||||||||||||||||
| C | 96e69432-90a3-4e38-a878-7605736308b1 | 2 | 3:44 | |||||||||||||||||||||||
| D | 17f0e7aa-cec2-4e0f-b602-f057801d32be | 1 | 3:50 | |||||||||||||||||||||||
| E |
7c48099d-3f50-4722-b902-f7a0416f00a2
Also linked to
We Stand by All That Remains
|
1 | 3:47 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
6827a91d-eca4-4bc5-bfd9-399bc88a2b29
Also linked to
Too Late to Run for Cover by Alvin Lee, Too Late to Run for Cover by Ten Years After and
|
4 | 3:44–3:47 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
65382fd1-846d-4535-8f3f-05d7f04750bf
Also linked to
Canzoni stonate (edit) by Andrea Bocelli with Stevie Wonder, Everything by Stereo MC’s
|
1 | 3:46 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
d31878da-cbc8-4e4a-bace-45ff4a768692
Also linked to
Winds of Santa Ana by Animal Logic, Hold Fast by Catharsis
|
3 | 3:48 | |||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
02018318-706a-4944-95f1-f85da7eff83c
Also linked to
Poison by Asking Alexandria
|
3 | 3:46–3:47 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J |
e948f5d2-98b1-45c7-957c-1851cf56c788
Also linked to
Never Will I Break by 3 Doors Down
|
1 | 3:48 | |||||||||||||||||||||||
|
Recordings linked to J
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.67 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.67 | — | 0.00 | 0.46 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.43 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.46 | 0.43 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |