open source audio identification
MusicBrainz recording
Everything
Stereo MC’s
3:48
b8ca183a-7a89-432e-bf55-3b63a95cdcf2
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
771
linking them to it
Fingerprints
38
distinct audio files
Duration
3:45–4:23
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e78282a1-ad69-4e34-ba62-942170f84ff2
Also linked to
Connected (Edit) by Stereo MCs
|
12 | 3:46–3:48 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 5e4a31e8-afca-42c1-a8f0-1adcecf7ad97 | 1 | 3:55 | |||||||||||||||||||||||
| C | 089ebd6c-0c9b-4ef8-a8c1-98bdec9a4b24 | 1 | 3:48 | |||||||||||||||||||||||
| D | f1eee8a9-218a-428b-870c-21a8fa0de4a5 | 1 | 3:48 | |||||||||||||||||||||||
| E |
b518163b-245d-4b3a-9c15-826afdb4a2f3
Also linked to
Back in My Arms Again by Alvin Lee
|
2 | 3:47–3:48 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
65382fd1-846d-4535-8f3f-05d7f04750bf
Also linked to
Canzoni stonate (edit) by Andrea Bocelli with Stevie Wonder, The Last Gig of Johnny B. Goode by Leo Sayer
|
1 | 3:46 | |||||||||||||||||||||||
|
Recordings linked to F
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| G |
0a99a540-402c-45d1-a829-6347c8ef3279
Also linked to
The Immortal by Arch Enemy
|
6 | 3:47–3:48 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
f09cbe2e-6f88-46e9-8c3d-678cfbf8e124
Also linked to
High Flyin’ Woman by Average White Band
|
8 | 3:45–3:49 | |||||||||||||||||||||||
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Recordings linked to H
|
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| I |
605dd03f-e0b0-4ada-89b1-5f4bcd631573
Also linked to
Last Night by Al Jarreau, Last Night by Al Jarreau and
|
4 | 3:45–3:48 | |||||||||||||||||||||||
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Recordings linked to I
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| J | fe6dc5dd-e7dd-4572-9dd9-e0ea9d3d9874 | 1 | 3:47 | |||||||||||||||||||||||
| K | 91e3a332-889c-4975-afa6-933f456ccac6 | 1 | 4:23 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.84 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.97 |
| B | 0.84 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.82 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.97 | 0.82 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |