MusicBrainz recording
Never Will I Break
3 Doors Down
3:50
c467bbfe-bc1e-4f5d-aeea-ee1ace9d6270
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,976
linking them to it
Fingerprints
25
distinct audio files
Duration
3:45–4:18
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b151b8e0-1e9b-46bd-8c36-b68421a1b0ca
Also linked to
Never Will I Break by 3 Doors Down, Never Will I Break (5.1 mix) by 3 Doors Down and
|
10 | 3:45–3:52 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 02e15fcb-3d16-4c86-b118-6baaa1159f4c | 2 | 3:54–3:59 | ||||||||||||||||||||||||||||||||||||||
| C | bb37e7f0-e0ba-4841-9e40-cbc2afdb661c | 1 | 3:50 | ||||||||||||||||||||||||||||||||||||||
| D | 129dbe1b-2314-40ec-8106-b6dc67121663 | 1 | 4:09 | ||||||||||||||||||||||||||||||||||||||
| E |
c43ee888-6607-4e04-b810-0bcd2a31dc81
Also linked to
The Real Life by 3 Doors Down, The Real Life by 3 Doors Down and
|
4 | 3:52–3:53 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 912df0da-5af0-41eb-99d0-20448b6c87c4 | 1 | 3:50 | ||||||||||||||||||||||||||||||||||||||
| G | bc3bbfd3-600f-45e5-a2cb-f4a9116a895e | 1 | 4:18 | ||||||||||||||||||||||||||||||||||||||
| H |
30f53955-8155-4f78-a5ec-695098c0d5f7
Also linked to
Here by Me by 3 Doors Down
|
2 | 4:02–4:04 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I |
e948f5d2-98b1-45c7-957c-1851cf56c788
Also linked to
The Last Gig of Johnny B. Goode by Leo Sayer
|
1 | 3:48 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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| J | 906eacd9-2bc9-4921-a2d3-1b39d9dd52f0 | 1 | 3:50 | ||||||||||||||||||||||||||||||||||||||
| K | 8aca66a0-ac2e-4756-a5a3-8a8b65979088 | 1 | 3:51 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.86 | 0.48 | 0.96 | 0.00 | 0.00 | 0.98 | 0.00 | 0.08 | 0.00 | 0.00 |
| B | 0.86 | — | 0.43 | 0.86 | 0.00 | 0.00 | 0.86 | 0.00 | 0.07 | 0.00 | 0.00 |
| C | 0.48 | 0.43 | — | 0.47 | 0.00 | 0.00 | 0.48 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.96 | 0.86 | 0.47 | — | 0.00 | 0.00 | 0.96 | 0.00 | 0.08 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.98 | 0.86 | 0.48 | 0.96 | 0.00 | 0.00 | — | 0.00 | 0.08 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.08 | 0.07 | 0.00 | 0.08 | 0.00 | 0.00 | 0.08 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |