open source audio identification
MusicBrainz recording
Carol of the Bells
Mormon Tabernacle Choir
1:29
3f9bebc5-0643-42d1-a439-c79763dc5d75
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
80
linking them to it
Fingerprints
30
distinct audio files
Duration
1:23–5:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
03c4e704-863c-4e0f-8564-1c6d654bfbea
Also linked to
Joy to the World by Mormon Tabernacle Choir
|
2 | 1:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
86f845a1-ef8f-4a29-ab8c-6d7f2142c4c2
Also linked to
Joy to the World by Mormon Tabernacle Choir, Hark! The Herald Angels Sing by Mormon Tabernacle Choir and
|
3 | 1:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | bbd32e1a-f2bc-4133-9998-4752dd9bb920 | 4 | 1:29–1:31 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D | 53468503-36ec-441d-a571-c235eedcc37c | 2 | 1:25–1:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
f209cc3a-1fab-4d1c-bd2d-cd610b048a59
Also linked to
The Miracle of Christmas by Michael W. Smith
|
1 | 1:43 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
1c5dd975-0b48-48a1-8c09-b207255970d2
Also linked to
Carol of the Bells by John Williams, Carol of the Bells by Johnny Mathis and
|
15 | 1:23–1:29 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | d7a1e551-c78f-43d1-a517-31e8809243af | 1 | 1:29 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
4c76b65c-20b2-4c3c-aa94-dd6100839130
Also linked to
The Spirit of Christmas (medley) by Michael W. Smith
|
2 | 5:21–5:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.47 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.50 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.47 | 0.00 | 0.50 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |