open source audio identification
MusicBrainz recording
Carol of the Bells
Fleming & John
ac6109a5-815f-4e46-a550-dcd65c868f1d
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
13
linking them to it
Fingerprints
30
distinct audio files
Duration
1:08–8:14
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1c5dd975-0b48-48a1-8c09-b207255970d2
Also linked to
Carol of the Bells by John Williams, Carol of the Bells by Johnny Mathis and
|
15 | 1:23–1:29 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||
| B | aca17345-c4f0-40cf-89ef-a6465d9bf3c3 | 1 | 1:08 | |||||||||||||||||||||||||||||||||
| C | 5a336739-94ff-4fd8-8dd6-75f2438108ff | 1 | 5:13 | |||||||||||||||||||||||||||||||||
| D |
bc71f910-506a-4735-bce8-9d79d831c3fa
Also linked to
Carol of the Bells (album edit) by U‐Recken
|
2 | 8:13–8:14 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||
| E |
864596c1-a880-4506-9e88-e90a2c286acd
Also linked to
Carol of the Bells (album edit) by U‐Recken
|
2 | 8:13–8:14 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||
| F | 6711dc75-c1b4-4daf-9274-c0a50f847ae3 | 5 | 5:19–5:20 | |||||||||||||||||||||||||||||||||
| G | 03cb94af-682c-42c5-9f2c-e1d24f53d13e | 2 | 3:07–3:10 | |||||||||||||||||||||||||||||||||
| H |
2111b67d-bb61-468a-a089-dae679f85b13
Also linked to
Carol of the Bells by Faktion[22]
|
1 | 3:35 | |||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
||||||||||||||||||||||||||||||||||||
| I | 968af809-0770-4469-ab2f-14c8863f401c | 1 | 3:26 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.53 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.53 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |