open source audio identification
MusicBrainz recording
Hark! The Herald Angels Sing
Mormon Tabernacle Choir
1:39
09e5b900-d47d-426b-b33f-3e1aebb40db0
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
52
linking them to it
Fingerprints
20
distinct audio files
Duration
1:34–1:52
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
86f845a1-ef8f-4a29-ab8c-6d7f2142c4c2
Also linked to
Joy to the World by Mormon Tabernacle Choir, Carol of the Bells by Mormon Tabernacle Choir and
|
3 | 1:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
1e34f36c-3801-4fc8-bfc1-6ad9cc50442f
Also linked to
The Holly and the Ivy by The Norman Luboff Choir, Hark! The Herald Angels Sing by Ray Conniff
|
4 | 1:40–1:47 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | f0a76bf3-dd71-4ab0-bbf6-939b1a8c16e7 | 2 | 1:39 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
8e03c71d-354d-478a-8942-efb6c279ba2d
Also linked to
Hark the Herald Angels Sing by Mormon Tabernacle Choir, Hark! The Herald Angels Sing by Mormon Tabernacle Choir
|
5 | 1:36–1:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | 59ebc7ad-ca24-4f99-a60f-5a2a4b3c44a4 | 1 | 1:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | 31564939-9acc-4b11-979d-ebbf4549aa81 | 1 | 1:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | adf24cd4-ad82-40c8-a747-aa2d09c4060d | 2 | 1:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
69045386-ac1a-4011-999a-fb4c00ece446
Also linked to
The Darkest Midnight by Michael W. Smith spoken word by Bono
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2 | 1:39–1:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.64 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.64 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.49 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.49 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |