open source audio identification
MusicBrainz recording
The Composer
Diana Ross & The Supremes
2:59
f9d6df72-1d61-40bf-a92b-2dcbdf8845d0
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
672
linking them to it
Fingerprints
52
distinct audio files
Duration
2:50–3:04
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | fd3d0f42-41f2-4260-add6-93110a4f8f68 | 6 | 2:53–2:54 | ||||||||||||||||||||||||||||
| B |
4d70115b-7c1a-4864-b676-c98411c72fe1
Also linked to
The Composer by The Supremes
|
8 | 2:59–3:01 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 30e96a41-b804-44d9-85f5-d47c2b13afd0 | 5 | 2:56–3:00 | ||||||||||||||||||||||||||||
| D |
71faaef7-1e72-44c2-ac0f-9be89169f923
Also linked to
Track 13 by Catherine Asaro
|
6 | 2:56–3:00 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
bbf7db30-f158-43eb-b2f5-b535d3b6e019
Also linked to
The Composer by Diana Ross & The Supremes
|
3 | 2:52–2:55 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
f9505537-e8f4-4634-aeff-74175397f1e1
Also linked to
The Happening by The Supremes, The Happening by Diana Ross & The Supremes and
|
4 | 3:01–3:03 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 6870018c-7bb3-4e35-9cd7-c5f096ab677f | 1 | 2:59 | ||||||||||||||||||||||||||||
| H | 776b9334-587c-4f47-89b0-2d97ee29a700 | 1 | 3:04 | ||||||||||||||||||||||||||||
| I | abe42b56-4223-4605-bdf1-30089b722767 | 1 | 2:58 | ||||||||||||||||||||||||||||
| J |
b36f6551-e544-481c-a596-9b97a1da09c8
Also linked to
The Happening by Diana Ross & The Supremes, The Happening by The Supremes and
|
16 | 2:50–2:54 | ||||||||||||||||||||||||||||
|
Recordings linked to J
|
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| K | 5bf25e2c-c2bf-4022-9944-2b994fd8e814 | 1 | 2:54 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.31 | 0.30 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.64 | 0.00 | 0.00 | 0.00 | 0.20 | 0.62 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.64 | — | 0.00 | 0.00 | 0.00 | 0.26 | 0.86 | 0.00 | 0.00 | 0.00 |
| D | 0.31 | 0.00 | 0.00 | — | 0.63 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.30 | 0.00 | 0.00 | 0.63 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.57 | 0.00 |
| G | 0.00 | 0.20 | 0.26 | 0.00 | 0.00 | 0.00 | — | 0.23 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.62 | 0.86 | 0.00 | 0.00 | 0.00 | 0.23 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |