open source audio identification
MusicBrainz recording
The Happening
The Supremes
3:03
2003 remix, USMO10300720
7f110ec3-da1b-47f1-aa4d-69483552d641
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
186
linking them to it
Fingerprints
86
distinct audio files
Duration
2:45–3:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f9505537-e8f4-4634-aeff-74175397f1e1
Also linked to
The Happening by Diana Ross & The Supremes, The Composer by Diana Ross & The Supremes and
|
4 | 3:01–3:03 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
b36f6551-e544-481c-a596-9b97a1da09c8
Also linked to
The Happening by Diana Ross & The Supremes, The Composer by Diana Ross & The Supremes and
|
16 | 2:50–2:54 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
9eeef3e8-2c81-4c65-89f4-44642e207b54
Also linked to
The Happening by Diana Ross & The Supremes, The Happening by The Supremes and
|
20 | 2:46–2:53 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
4ed6875a-77db-4851-8177-00b250bb5215
Also linked to
The Happening by Diana Ross & The Supremes, Do You Know the Way to San Jose? by Dionne Warwick and
|
27 | 2:45–2:52 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
d4e43276-8207-4e8e-9144-efe82f0382ad
Also linked to
The Happening by Diana Ross & The Supremes
|
2 | 2:52–2:56 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
bf2195c8-1a4f-4fe5-8e4d-fb6bee30e362
Also linked to
Reflections by Diana Ross & The Supremes
|
16 | 2:45–2:55 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 577882ad-989b-4fce-b979-8b1550d18c3b | 1 | 3:02 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.