open source audio identification
MusicBrainz recording
East of Ginger Trees
Seals & Crofts
3:29
edit
f8d7835e-101c-4c24-8fd5-bc6c5213f79e
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
360
linking them to it
Fingerprints
42
distinct audio files
Duration
3:19–3:43
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0799dd32-b5fc-4319-a260-8a8498de1d33
Also linked to
East of Ginger Trees by Seals & Crofts
|
5 | 3:25–3:31 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 591f1d28-8c17-4d4d-840d-0d659b988c30 | 1 | 3:28 | |||||||||||||||||||||||||||||||||
| C | 7ecfae76-315b-4416-9cf7-7fbe30a38295 | 1 | 3:27 | |||||||||||||||||||||||||||||||||
| D | 14e3b4f9-e123-4b11-9153-ff8e8473ea6c | 1 | 3:34 | |||||||||||||||||||||||||||||||||
| E | 06e3bb0d-54c1-4d77-a94e-40e9eedf5332 | 1 | 3:30 | |||||||||||||||||||||||||||||||||
| F | fea449ff-add7-41a4-8b40-57f4858039d6 | 1 | 3:19 | |||||||||||||||||||||||||||||||||
| G |
9b277381-7412-43aa-afd6-2cff7982fc07
Also linked to
Everybody Plays the Fool by The Main Ingredient, Everybody Plays the Fool by The Main Ingredient and
|
25 | 3:19–3:26 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
aee4899a-a555-4ccf-ba13-d72984621d90
Also linked to
Nobody (single version) by The Doobie Brothers, Nobody by The Doobie Brothers and
|
4 | 3:29–3:30 | |||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
2dbdb2e7-679b-4225-9803-1a8a28309e82
Also linked to
Hope That We Can Be Together Soon by Harold Melvin & The Blue Notes featuring Theodore Pendergrass
|
2 | 3:41–3:43 | |||||||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 2a9f36e3-5ee3-493a-ab7f-706016f3d1db | 1 | 3:22 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.66 | 0.00 | 0.82 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.66 | — | 0.00 | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.82 | 0.56 | 0.56 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |