open source audio identification
MusicBrainz recording
Hope That We Can Be Together Soon
Harold Melvin & The Blue Notes featuring Theodore Pendergrass
3:41
461035fc-131c-4dba-b774-35626592b68a
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
262
linking them to it
Fingerprints
37
distinct audio files
Duration
3:37–3:47
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3873dc7a-2ea9-497d-a4dd-c831d73cef40
Also linked to
Hope That We Can Be Together Soon by Sharon Paige and Harold Melvin & The Blue Notes, Hope That We Can Be Together Soon by Sharon Paige and Harold Melvin & The Blue Notes and
|
19 | 3:38–3:44 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
2dbdb2e7-679b-4225-9803-1a8a28309e82
Also linked to
East of Ginger Trees by Seals & Crofts
|
2 | 3:41–3:43 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||
| C | 853a5c2b-aa27-47be-913a-3b3763360ce7 | 3 | 3:43–3:47 | ||||||||||||||||||||||||||||
| D | 376d457c-ce6c-4019-b44c-d29434897537 | 2 | 3:38–3:39 | ||||||||||||||||||||||||||||
| E | 71803596-11aa-4338-b465-3b0301c50286 | 3 | 3:44–3:46 | ||||||||||||||||||||||||||||
| F | 076b5e6e-7bab-433f-9ebe-6efab19d0a20 | 3 | 3:42–3:47 | ||||||||||||||||||||||||||||
| G | 7e60dab2-38e5-4071-bef7-fef1d9bf5ba6 | 1 | 3:43 | ||||||||||||||||||||||||||||
| H | 6f5d3898-fd78-44b8-a394-64d064d407c4 | 1 | 3:45 | ||||||||||||||||||||||||||||
| I | 2a7764a3-d8a0-49b0-957b-db9be51c73d1 | 2 | 3:37 | ||||||||||||||||||||||||||||
| J | 5edc9cfa-8f0b-44b8-b388-2906a63782f1 | 1 | 3:42 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.35 | 0.87 | 0.00 | 0.43 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.63 | 0.00 | 0.42 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.87 | 0.00 | 0.70 | 0.72 | 0.61 | 0.00 | 0.61 |
| D | 0.35 | 0.00 | 0.87 | — | 0.00 | 0.74 | 0.72 | 0.66 | 0.00 | 0.58 |
| E | 0.87 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.40 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.63 | 0.70 | 0.74 | 0.00 | — | 0.71 | 0.69 | 0.00 | 0.62 |
| G | 0.43 | 0.00 | 0.72 | 0.72 | 0.40 | 0.71 | — | 0.51 | 0.00 | 0.44 |
| H | 0.00 | 0.42 | 0.61 | 0.66 | 0.00 | 0.69 | 0.51 | — | 0.00 | 0.49 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.61 | 0.58 | 0.00 | 0.62 | 0.44 | 0.49 | 0.00 | — |