open source audio identification
MusicBrainz recording
Track 10
John Elder Robison
3:54
f2f79560-dcbe-4cb9-9dde-b98ab2103f99
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
11
linking them to it
Fingerprints
30
distinct audio files
Duration
3:45–3:58
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
86577fda-2bde-495c-abd8-7f50f4680a93
Also linked to
Oh Daddy by Fleetwood Mac, Oh Daddy (Dolby Atmos mix) by Fleetwood Mac
|
2 | 3:48–3:53 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ca3af7f8-8ae3-46f5-a1ab-0edfa1af5420
Also linked to
Pueda ser que no me busques by Peter Manjarrés
|
2 | 3:53–3:54 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 41ef619e-906b-45f8-afc4-0f19a7748740 | 1 | 3:53 | |||||||||||||||||||||||||||||||||||||||||||
| D | 788a6d64-e7d5-49ab-96f2-952f5d4c2f5f | 2 | 3:53 | |||||||||||||||||||||||||||||||||||||||||||
| E | 8174e3cb-39e0-432b-92c9-b554508e7963 | 1 | 3:53 | |||||||||||||||||||||||||||||||||||||||||||
| F |
d98f4c9a-86ff-49f8-8b06-9b7e9d845db3
Also linked to
Track 2 by Stephen King
|
1 | 3:54 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
51ef74ec-9f92-40af-8b3a-834034129249
Also linked to
I Believe (When I Fall in Love It Will Be Forever) by Art Garfunkel, I Believe (When I Fall in Love It Will Be Forever) by Art Garfunkel
|
9 | 3:45–3:49 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
4911ff84-b080-40bd-9812-d779118532f5
Also linked to
What’s Going On by Marvin Gaye, What’s Going On by Marvin Gaye and
|
11 | 3:51–3:58 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 0fe858fe-c28b-498f-a8de-ce12296f6c7b | 1 | 3:51 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |