MusicBrainz recording
What’s Going On
Marvin Gaye
3:52
5.1 mix
b6d07cbb-94e4-4c62-96cb-e5c270f801f2
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
17
linking them to it
Fingerprints
140
distinct audio files
Duration
3:48–3:58
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | ebad6729-ae05-4da2-acba-3bc42b3ea1aa | 2 | 3:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
3f492815-5e9e-4469-b503-8e60eb84498e
Also linked to
What’s Going On by Marvin Gaye
|
5 | 3:50–3:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
4c334af7-0732-4b9d-b01d-2002285d14b1
Also linked to
What’s Going On by Marvin Gaye, What’s Goin’ On by Marvin Gaye and
|
18 | 3:49–3:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
4911ff84-b080-40bd-9812-d779118532f5
Also linked to
What’s Going On by Marvin Gaye, What’s Going On by Marvin Gaye and
|
11 | 3:51–3:58 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
7b30a95a-9878-4b56-8272-15ddfbeafbfd
Also linked to
What’s Going On by Marvin Gaye, What’s Going On (Rhythm & Strings mix) by Marvin Gaye and
|
79 | 3:48–3:55 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
5fb5e7f3-9a8d-4cf1-bdd9-10e6d8f6d5e0
Also linked to
What’s Going On by Marvin Gaye, What’s Going On (mono single version) by Marvin Gaye and
|
23 | 3:51–3:58 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 617f9f75-e018-41cb-81b7-ecbd19ccf639 | 2 | 3:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.