MusicBrainz recording
Don’t Speak (alternate version)
No Doubt
4:25
f1012c7b-41b2-4b99-b191-aa61691c300a
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
437
linking them to it
Fingerprints
71
distinct audio files
Duration
4:07–4:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
09a517be-ad6e-4e37-b07f-babf000b4fee
Also linked to
Don’t Speak by No Doubt, Don’t Speak (acoustic version) by No Doubt and
|
4 | 4:20–4:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
035795d7-057a-4804-9d9d-0f374738f0c6
Also linked to
Don’t Speak (acoustic version) by No Doubt, Don’t Speak by No Doubt
|
1 | 4:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
655c2aae-11eb-4833-b6ae-c0b52e8334ca
Also linked to
Don’t Speak by No Doubt, Don’t Speak (acoustic version) by No Doubt and
|
25 | 4:19–4:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
636a7082-ef19-4921-96b6-90619115e93e
Also linked to
Don’t Speak by No Doubt, Don’t Speak (acoustic version) by No Doubt and
|
22 | 4:18–4:24 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
d8fbd735-f950-4d95-aac8-1c633bb722bb
Also linked to
Don’t Speak by No Doubt, Don't Speak by Mindy McCready
|
7 | 4:23–4:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
514a0c03-270e-44db-ac59-1f1465eecf0d
Also linked to
Don’t Speak by No Doubt
|
12 | 4:07–4:14 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.