open source audio identification
MusicBrainz recording
I Like to Move It
Reel 2 Real
ed1dc208-2e5f-4bde-8a15-bb37e48f8658
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
22
linking them to it
Fingerprints
79
distinct audio files
Duration
1:04–9:14
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
330ec7f9-5f02-4e98-afa3-393c5ef0a3f9
Also linked to
I Like to Move It by Reel 2 Real, I Like to Move It (Erick “More” club mix) by Reel 2 Real featuring The Mad Stuntman and
|
62 | 3:46–3:52 | ||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
2d128be7-c5fd-4e02-bc6d-52242096436f
Also linked to
I Like to Move It (Klaas remix) by Reel 2 Real feat. The Mad Stuntman, I Like to Move It (More's instrumental) by Reel 2 Real and
|
8 | 5:39–5:44 | ||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
d615f4f9-9eea-4f19-ac71-00ac51bcfe92
Also linked to
I Like to Move It by Reel 2 Real, I Like to Move It (More's instrumental) by Reel 2 Real and
|
1 | 3:36 | ||||||||||||||||||||||||||||
|
Recordings linked to C
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| D | f85f6798-b0b2-4c97-9bea-046d414484ce | 1 | 1:35 | ||||||||||||||||||||||||||||
| E |
56a89377-0cf1-498b-965a-5f5c8a249bcc
Also linked to
I Like to Move It by Reel 2 Real
|
1 | 7:22 | ||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 26acb654-ae10-495b-b7b2-64c629e9da5c | 2 | 5:33–5:35 | ||||||||||||||||||||||||||||
| G |
a211ff24-9d76-475d-bc5d-cba34d9ee92f
Also linked to
I Like to Move It (Erick "More" club mix) by Reel 2 Real feat. The Mad Stuntman
|
2 | 4:54–4:57 | ||||||||||||||||||||||||||||
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Recordings linked to G
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| H | 35694760-8675-44b2-9b35-4763deb9626d | 1 | 1:04 | ||||||||||||||||||||||||||||
| I | beeea258-5a45-4eca-a684-3c87f49f9a04 | 1 | 9:14 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.29 | 0.00 | 0.00 | 0.34 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.84 | 0.00 | 0.00 | 0.77 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.29 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.84 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.85 |
| G | 0.34 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.77 | 0.00 | 0.00 | 0.00 | 0.85 | 0.00 | 0.00 | — |