open source audio identification
MusicBrainz recording
I Like to Move It
Reel 2 Real featuring The Mad Stuntman
3:50
9f343f2e-4993-46f8-95a6-4da4cd138b41
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
11
linking them to it
Fingerprints
112
distinct audio files
Duration
3:44–3:55
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
bfd12f45-1f66-464f-9478-546c18f1688d
Also linked to
I Like to Move It by Reel 2 Real, I Like to Move It (Erick “More” club mix) by Reel 2 Real featuring The Mad Stuntman and
|
22 | 3:48–3:55 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
6f845af0-f1d2-4f2d-901c-3aaf3e4e748e
Also linked to
I Like to Move It by Reel 2 Real, I Like to Move It (Erick More club mix) by Reel 2 Real feat. The Mad Stuntman and
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12 | 3:45–3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
330ec7f9-5f02-4e98-afa3-393c5ef0a3f9
Also linked to
I Like to Move It by Reel 2 Real, I Like to Move It (Erick “More” club mix) by Reel 2 Real featuring The Mad Stuntman and
|
62 | 3:46–3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
8049fbc9-c2a7-4834-be68-d7c2425f5cde
Also linked to
I Like to Move It by Reel 2 Real, I Like to Move It (Eric "More" club mix) by Reel 2 Real and
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11 | 3:44–3:51 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
288dfe3f-8e5b-4dcc-b4b7-ae90805929cc
Also linked to
I Like to Move It by Reel 2 Real, I Like to Move It (Erick “More” club mix) by Reel 2 Real featuring The Mad Stuntman and
|
5 | 3:47–3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.