open source audio identification
MusicBrainz recording
Telephone Line
Electric Light Orchestra Part II
4:50
live, 1995-03-18/19: Sydney Entertainment Centre, Sydney, Australia
e90713bc-b67d-4587-8e75-abb233efa5f7
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
199
linking them to it
Fingerprints
55
distinct audio files
Duration
4:38–11:09
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
9bba96aa-04bf-4890-9268-c96bce2ea95f
Also linked to
Telephone Line by Electric Light Orchestra, Telephone Line by Electric Light Orchestra
|
5 | 4:43–4:50 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | c785ffb3-076c-4d85-bc49-97ffea3e1a36 | 4 | 4:51–4:52 | ||||||||||||||||||||||||||||||||||||||
| C | 88a1c556-485a-4689-8205-d9d20c28efb2 | 3 | 4:40–4:42 | ||||||||||||||||||||||||||||||||||||||
| D | e4424f68-cc10-44aa-b7fb-f17e40eb5e22 | 1 | 4:54 | ||||||||||||||||||||||||||||||||||||||
| E | f2770615-cbe3-4901-8677-913845aedab4 | 1 | 4:50 | ||||||||||||||||||||||||||||||||||||||
| F | e45959eb-05c9-45fd-a4e1-7c0c16fbe9c4 | 1 | 4:50 | ||||||||||||||||||||||||||||||||||||||
| G |
87f7eb8e-0093-48f6-8a91-b89322d0fbba
Also linked to
Telephone Line by Electric Light Orchestra Part Two feat. the Moscow Symphony Orchestra
|
1 | 5:02 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
7c5a911a-2748-400b-8fad-343710ed690a
Also linked to
Kuiama by Electric Light Orchestra
|
2 | 11:06–11:09 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
ca2c4ef6-3174-46aa-8f7a-5191b80df673
Also linked to
Telephone Line by Electric Light Orchestra, Telephone Line by Electric Light Orchestra and
|
37 | 4:38–4:47 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to I
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.94 | 0.88 | 0.39 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.94 | — | 0.84 | 0.39 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.88 | 0.84 | — | 0.38 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.39 | 0.39 | 0.38 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |