open source audio identification
MusicBrainz recording
Telephone Line (alternate vocal)
Electric Light Orchestra
4:41
2a09746c-c2f5-47b7-8c53-e0f417fabaef
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
637
linking them to it
Fingerprints
96
distinct audio files
Duration
4:33–4:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
70694d6e-f8cb-42f7-9d6b-9a7212268771
Also linked to
Telephone Line by Electric Light Orchestra
|
6 | 4:41–4:45 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ca2c4ef6-3174-46aa-8f7a-5191b80df673
Also linked to
Telephone Line by Electric Light Orchestra, Telephone Line by Electric Light Orchestra and
|
37 | 4:38–4:47 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
910ebb76-8657-43ea-95a0-47af5ee81887
Also linked to
Telephone Line by Electric Light Orchestra, Telephone Line by Electric Light Orchestra and
|
33 | 4:33–4:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | b4c733e0-1c7a-4bc4-9bb0-3ab7f004ef7e | 2 | 4:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
3df53f07-a006-4eec-a14c-294babf157bb
Also linked to
Telephone Line by Electric Light Orchestra
|
10 | 4:41–4:44 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
4017942a-eb42-4b74-a536-55963befde7a
Also linked to
Telephone Line by Electric Light Orchestra
|
4 | 4:39–4:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | e4b482db-e899-4aad-bde8-50a03db60467 | 1 | 4:50 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | 46fc4ac3-b68e-4787-a3de-e3af99763da5 | 1 | 4:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
| I | 5dba3edb-a15b-4bad-b71e-9280e6da84f3 | 1 | 4:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
| J | 5dfb3b45-9883-4094-b933-181ba8b0b3df | 1 | 4:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.47 | 0.47 | 0.00 | 0.50 | 0.40 | 0.00 | 0.00 | 0.63 | 0.00 |
| B | 0.47 | — | 0.55 | 0.00 | 0.57 | 0.85 | 0.00 | 0.00 | 0.00 | 0.53 |
| C | 0.47 | 0.55 | — | 0.00 | 0.93 | 0.54 | 0.00 | 0.00 | 0.00 | 0.44 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.50 | 0.57 | 0.93 | 0.00 | — | 0.55 | 0.00 | 0.00 | 0.00 | 0.43 |
| F | 0.40 | 0.85 | 0.54 | 0.00 | 0.55 | — | 0.00 | 0.00 | 0.41 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.63 | 0.00 | 0.00 | 0.00 | 0.00 | 0.41 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.53 | 0.44 | 0.00 | 0.43 | 0.00 | 0.00 | 0.00 | 0.00 | — |