open source audio identification
MusicBrainz recording
Learning to Fly
Pink Floyd
5:16
live, 1994‐10‐14: Earls Court, London, UK
e48f8f6d-c729-41bc-b5d8-a76265cb9fd3
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
3,147
linking them to it
Fingerprints
39
distinct audio files
Duration
5:02–5:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3760a4c0-ac91-42ef-b476-a2426b7b4f4c
Also linked to
Learning to Fly (Earls Court 1994.10.14) by Pink Floyd
|
16 | 5:15–5:22 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
3218e3a7-bd1a-48b0-b819-a18669dbcd80
Also linked to
Learning to Fly (Earls Court 1994.10.14) by Pink Floyd, Learning to Fly by Pink Floyd
|
3 | 5:11–5:16 | ||||||||||||||||||
|
Recordings linked to B
|
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| C | d3c183b7-0da5-4160-8745-908571147699 | 1 | 5:02 | ||||||||||||||||||
| D |
2ee126b6-e39d-4594-9bc0-981d0b00c80f
Also linked to
Learning to Fly by The Rock Anthem Orchestra, Learning to Fly by Heavy Fuel
|
4 | 5:08–5:10 | ||||||||||||||||||
|
Recordings linked to D
|
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| E | feac6e48-fa47-4837-b301-2baaa95367e8 | 1 | 5:11 | ||||||||||||||||||
| F | 318baac5-2f77-4e3c-adfa-d65d15af022a | 2 | 5:15 | ||||||||||||||||||
| G | e05ce9b2-95b2-471e-857c-e40053d0daf4 | 1 | 5:15 | ||||||||||||||||||
| H | 9a85415e-fcbf-49ba-9650-053dbe5e939e | 2 | 5:29–5:36 | ||||||||||||||||||
| I | c4017992-4b54-4ff2-bf1e-eb155e955ece | 1 | 5:15 | ||||||||||||||||||
| J |
dba9bc8f-3094-4dc5-95b1-b488c387bbae
Also linked to
Learning to Fly by Pink Floyd
|
6 | 5:13–5:20 | ||||||||||||||||||
|
Recordings linked to J
|
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| K | 679e41bb-f34d-400b-872b-cfb93c92ac3d | 1 | 5:15 | ||||||||||||||||||
| L | ee493cdf-c7ba-4746-9b8b-2fbe4f276855 | 1 | 5:15 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.97 | 0.89 | 0.00 | 0.00 | 0.00 | 0.00 | 0.87 | 0.00 | 0.00 | 0.24 | 0.00 |
| B | 0.97 | — | 0.92 | 0.00 | 0.00 | 0.00 | 0.00 | 0.90 | 0.00 | 0.00 | 0.24 | 0.00 |
| C | 0.89 | 0.92 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.95 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.87 | 0.90 | 0.95 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.24 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.24 | 0.24 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.24 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |