open source audio identification
MusicBrainz recording
Learning to Fly
Pink Floyd
5:27
live, Delicate Sound of Thunder version
65d9b23f-2275-41fd-a38d-e92f892e9636
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
2,803
linking them to it
Fingerprints
28
distinct audio files
Duration
5:13–5:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3f7910d4-7b7e-4456-a185-c9420cd0e240
Also linked to
Learning to Fly by Pink Floyd, Learning to Fly by Pink Floyd and
|
10 | 5:22–5:28 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | d9643f4e-ee2e-446d-b300-5796798ec4f5 | 2 | 5:23 | ||||||||||||||||||||||||||||||||||||||
| C |
dba9bc8f-3094-4dc5-95b1-b488c387bbae
Also linked to
Learning to Fly by Pink Floyd
|
6 | 5:13–5:20 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
58f9829b-8c4f-4cf4-81f5-d99a0e0faa81
Also linked to
Learning to Fly by Pink Floyd
|
1 | 5:15 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | c355b4c5-e8e5-40ba-916f-dc536e8a0302 | 1 | 5:27 | ||||||||||||||||||||||||||||||||||||||
| F |
68a89285-df72-4720-a1a2-8bd1e9a18040
Also linked to
Another Brick in the Wall, Part 2 by Pink Floyd, Another Brick in the Wall, Part II by Pink Floyd
|
3 | 5:26 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | e1b1df11-7f95-4044-9130-a484a7348f7e | 1 | 5:27 | ||||||||||||||||||||||||||||||||||||||
| H | 6b0c865d-6ea9-4ef0-839d-cb7bdb888bda | 2 | 5:21 | ||||||||||||||||||||||||||||||||||||||
| I | c6397873-76d8-4904-af17-98dabfb84b7e | 1 | 5:27 | ||||||||||||||||||||||||||||||||||||||
| J | 083c7c66-121f-400b-ab27-143e5c132f5f | 1 | 5:21 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.61 | 0.75 | 0.00 | 0.79 | 0.00 | 0.40 | 0.51 | 0.55 | 0.61 |
| B | 0.61 | — | 0.66 | 0.00 | 0.51 | 0.00 | 0.00 | 0.37 | 0.41 | 0.46 |
| C | 0.75 | 0.66 | — | 0.00 | 0.69 | 0.00 | 0.23 | 0.50 | 0.51 | 0.67 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.79 | 0.51 | 0.69 | 0.00 | — | 0.00 | 0.33 | 0.48 | 0.51 | 0.52 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.40 | 0.00 | 0.23 | 0.00 | 0.33 | 0.00 | — | 0.00 | 0.31 | 0.00 |
| H | 0.51 | 0.37 | 0.50 | 0.00 | 0.48 | 0.00 | 0.00 | — | 0.38 | 0.68 |
| I | 0.55 | 0.41 | 0.51 | 0.00 | 0.51 | 0.00 | 0.31 | 0.38 | — | 0.42 |
| J | 0.61 | 0.46 | 0.67 | 0.00 | 0.52 | 0.00 | 0.00 | 0.68 | 0.42 | — |