open source audio identification
MusicBrainz recording
Unchain My Heart
Joe Cocker
5:57
live, 1989‐10‐05: Memorial Auditorium, Lowell, MA, USA
df8b2c2a-5f37-447e-9ab3-92f1e771a776
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
821
linking them to it
Fingerprints
22
distinct audio files
Duration
2:58–6:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
573e0a3f-b279-4893-9f99-aaa1e46f42da
Also linked to
Unchain My Heart by Joe Cocker, Unchain My Heart (live) by Joe Cocker and
|
7 | 5:56–6:03 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
e169e286-37bb-489c-be40-8dbad8b16670
Also linked to
Unchain My Heart by Joe Cocker, Unchain My Heart by Joe Cocker and
|
3 | 5:55–5:57 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
0638d353-fbf9-4649-9380-8593e5a3c2cc
Also linked to
Unchain My Heart (live) by Joe Cocker, Unchain My Heart by Joe Cocker and
|
2 | 5:47–5:49 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 1399e77d-6a84-4445-8c38-ba67613b80ed | 1 | 5:57 | |||||||||||||||||||||||||||||||||
| E | f5ec9d20-9377-4d49-8840-315e81520a73 | 1 | 2:58 | |||||||||||||||||||||||||||||||||
| F |
0ccbbc2d-0250-42cd-a104-eed7ea37bd54
Also linked to
Steamroller Blues by James Taylor, Steamroller Blues by James Taylor and
|
3 | 5:29–5:30 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | d904c320-c249-4278-bfaf-255f0b3e45e0 | 2 | 5:56–5:57 | |||||||||||||||||||||||||||||||||
| H | 9b5e7c3f-d9bf-4710-822e-775b7aa2cb60 | 1 | 5:57 | |||||||||||||||||||||||||||||||||
| I |
5a931252-9d20-4a98-8e77-5682446eeb38
Also linked to
Unchain My Heart by Joe Cocker
|
2 | 6:07–6:10 | |||||||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 1.00 | 0.92 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.91 |
| B | 1.00 | — | 0.92 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.91 |
| C | 0.92 | 0.92 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.97 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.91 | 0.91 | 0.97 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |