open source audio identification
MusicBrainz recording
Working Class Hero
John Lennon/Plastic Ono Band
3:51
digitally remixed and remastered
df5ecde7-965d-47f1-aa29-b7d87baf9fc1
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
950
linking them to it
Fingerprints
45
distinct audio files
Duration
3:45–4:01
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1d7eb025-e91e-408b-804f-1daa92b12ed9
Also linked to
Working Class Hero by John Lennon / Plastic Ono Band, Working Class Hero by John Lennon and
|
27 | 3:48–3:53 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
55f597e6-bfa7-4720-9c60-142b199ff381
Also linked to
Working Class Hero by John Lennon / Plastic Ono Band, Working Class Hero by oneill and
|
6 | 3:45–3:50 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
59036e63-f903-4389-9d3a-7db415340762
Also linked to
Working Class Hero by John Lennon, Working Class Hero by John Lennon and
|
7 | 3:58–4:01 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
3fafdf52-3df3-4259-ba35-3f1defdffb96
Also linked to
Working Class Hero by John Lennon, Working Class Hero by John Lennon / Plastic Ono Band and
|
4 | 3:46–3:48 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
c88154e7-3bc8-46d4-8fff-f26ba850d0d7
Also linked to
Working Class Hero by John Lennon / Plastic Ono Band
|
1 | 3:50 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.