open source audio identification
MusicBrainz recording
Working Class Hero
John Lennon
3:59
1dcfe907-3ecc-4055-8cde-3f2e587e3065
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
397
linking them to it
Fingerprints
43
distinct audio files
Duration
3:45–4:23
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
59036e63-f903-4389-9d3a-7db415340762
Also linked to
Working Class Hero by John Lennon, Working Class Hero by John Lennon / Plastic Ono Band and
|
7 | 3:58–4:01 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
449a9dd1-152d-4fbb-8f8c-b3fc18fe4625
Also linked to
Working Class Hero by John Lennon
|
3 | 4:22–4:23 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
55f597e6-bfa7-4720-9c60-142b199ff381
Also linked to
Working Class Hero by John Lennon / Plastic Ono Band, Working Class Hero by John Lennon/Plastic Ono Band and
|
6 | 3:45–3:50 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
1d7eb025-e91e-408b-804f-1daa92b12ed9
Also linked to
Working Class Hero by John Lennon / Plastic Ono Band, Working Class Hero by John Lennon/Plastic Ono Band and
|
27 | 3:48–3:53 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.