MusicBrainz recording

You’re Still the One

Shania Twain 3:17 radio edit, international mix
ded14462-5bd7-422a-aba9-2f78995663e9 View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
689
linking them to it
Fingerprints
192
distinct audio files
Duration
3:08–3:37
range of submitted files

AcoustIDs

Most submitted first, 1 disabled
Show 1 disabled link
AcoustID Most common fingerprint Fingerprints Length Sources
A 4b464a7b-a7b7-41a0-a081-e14dd5092954
Also linked to You’re Still the One by Shania Twain, You’re Still the One by Shania Twain and
15 3:12–3:18
526
B d6e11884-2d9d-4c04-bd8d-d6051d7c1c86
Also linked to You’re Still the One by Shania Twain, You’re Still the One by Shania Twain and
10 3:16–3:23
123
C bd537b5d-3bb4-42d7-b8f8-624d7d87ee65
Also linked to You’re Still the One by Shania Twain, You’re Still the One by Shania Twain and
51 3:30–3:37
11
D 24d1313c-27ba-42bf-8f97-610c6e91ebe4
Also linked to You’re Still the One by Shania Twain, You’re Still the One by Shania Twain and
3 3:14–3:15
10
E b6ede5e8-c19d-4325-9fe2-c9e336765ba1
Also linked to You’re Still the One by Shania Twain, You’re Still the One by Shania Twain and
7 3:28–3:33
7
F 6950cb5c-759f-4340-825e-86654302e07c
Also linked to Roxanne by The Police, Roxanne by The Police and
32 3:10–3:17
4
G 8bce0d7a-22a4-43cf-b695-2bfe9505f8bf
Also linked to Roxanne by The Police, Roxanne by The Police and
34 3:08–3:18
4
H f588b8e3-b083-4c4c-bce2-c79dd776cbff 20 3:32–3:36
1
I 475c6f9d-aceb-4e1f-bac5-6abd984c2d21
Also linked to Stop by Spice Girls, Stop by Spice Girls and
16 3:23–3:27
1
J dd88aa9d-30d5-4d7c-8ad4-0c1eb1520bf6
Also linked to You’re Still the One by Shania Twain, You’re Still the One by Shania Twain
2 3:16–3:19
1
K 996895ff-5f29-41f9-858c-143ce71c748d
Also linked to You’re Still the One by Shania Twain, You’re Still the One by Shania Twain
2 3:20–3:25
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.