open source audio identification
MusicBrainz recording
You’re Still the One
Shania Twain
3:32
Dolby Atmos mix, album version, US original mix
5ddea45f-dcab-4e3c-82e0-f6de27c2a62e
View on MusicBrainz →
AcoustIDs
3
linked to this recording
Submissions
5
linking them to it
Fingerprints
59
distinct audio files
Duration
3:28–3:37
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
bd537b5d-3bb4-42d7-b8f8-624d7d87ee65
Also linked to
You’re Still the One by Shania Twain, You’re Still the One by Shania Twain and
|
51 | 3:30–3:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
b6ede5e8-c19d-4325-9fe2-c9e336765ba1
Also linked to
You’re Still the One by Shania Twain, You’re Still the One by Shania Twain and
|
7 | 3:28–3:33 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | b161e8f9-f7ea-433a-9d03-69375f543851 | 1 | 3:32 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.