MusicBrainz recording

St. Louis Blues

Louis Armstrong & His Orchestra 2:59
db1ca834-44c5-4b2c-970b-60fa382ec190 View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
281
linking them to it
Fingerprints
89
distinct audio files
Duration
2:53–3:09
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 584f11fb-6c3d-45b5-81ee-b24675c494b9
Also linked to St. Louis Blues (alternate take B) by Louis Armstrong, Saint Louis Blues (non-vocal, Take B) by Louis Armstrong and
9 2:54–3:01
110
B 1e755854-0f77-4567-b8e9-cd630b5856eb 3 2:56–3:00
99
C d7dd9ee4-ebac-4b52-82a8-430d35142fc6 3 3:00–3:01
54
D b9f59273-8335-430f-bb1d-6e1917b10998
Also linked to St. Louis Blues by Louis Armstrong & His Orchestra, St. Louis Blues by Louis Armstrong & His Orchestra and
14 3:02–3:06
9
E 29352119-a34f-4a55-b966-a292073bad99
Also linked to St. Louis Blues by Louis Armstrong & His Orchestra, St. Louis Blues by Louis Armstrong & His Orchestra and
7 2:57–2:59
2
F b1032040-a3bf-4945-8c0b-902e40c17405
Also linked to St. Louis Blues by Louis Armstrong, St. Louis Blues by Louis Armstrong and
4 3:01–3:02
1
G de05b023-f4d9-4cda-8570-1d13cf18f9cb
Also linked to St. Louis Blues by Louis Armstrong, St. Louis Blues by Louis Armstrong
4 2:53–2:56
1
H cc802643-dae6-4096-8216-bcedcab00c2c 1 3:07
1
I fec36dd0-a578-4168-ae01-d8215927c4f1
Also linked to St. Louis Blues by Louis Armstrong & His Orchestra, St. Louis Blues by Louis Armstrong and
14 3:01–3:06
1
J 154804dd-f25a-4fed-8127-a1f6fb78d5b8
Also linked to St. Louis Blues by J.C. Higginbotham, St. Louis Blues by Louis Armstrong & His Orchestra and
16 2:58–3:04
1
K 1d3d39f6-204c-4b11-b72b-477f00c4310e
Also linked to Saint Louis Blues, Part 2 by Louis Armstrong and His Orchestra, St. Louis Blues by Louis Armstrong and
4 3:05–3:09
1
L 0e946459-5249-43c1-8a5c-a261da5dfd47
Also linked to St. Louis Blues by Louis Armstrong, St. Louis Blues by Louis Armstrong and
10 3:01–3:07
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.