open source audio identification
MusicBrainz recording
St. Louis Blues (alternate take B)
Louis Armstrong
2:59
da5b8e0c-a28a-488d-9e9e-3b13a63d20a0
View on MusicBrainz →
AcoustIDs
2
linked to this recording
Submissions
32
linking them to it
Fingerprints
23
distinct audio files
Duration
2:54–3:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
584f11fb-6c3d-45b5-81ee-b24675c494b9
Also linked to
St. Louis Blues by Louis Armstrong & His Orchestra, Saint Louis Blues (non-vocal, Take B) by Louis Armstrong and
|
9 | 2:54–3:01 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
b9f59273-8335-430f-bb1d-6e1917b10998
Also linked to
St. Louis Blues by Louis Armstrong & His Orchestra, St. Louis Blues by Louis Armstrong & His Orchestra and
|
14 | 3:02–3:06 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.