open source audio identification
MusicBrainz recording
Let It Be Me
Bobbie Gentry with Glen Campbell
2:05
d27ab4a9-86e8-4b62-bc87-2f5907daf8fc
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
303
linking them to it
Fingerprints
44
distinct audio files
Duration
1:59–2:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 86765013-3fe2-4d9c-8fe2-7cef148393ca | 21 | 2:02–2:08 | ||||||||||||||||||||||||||||||||||||||
| B |
79a7ce12-7f78-4d1d-b30d-3f059c3eaf97
Also linked to
Let It Be Me by Glen Campbell with Bobbie Gentry
|
6 | 2:05–2:07 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 5358966a-5efa-4a5c-b6e0-cba4ba914aef | 1 | 2:05 | ||||||||||||||||||||||||||||||||||||||
| D | a7d36c72-8ba5-4a04-ba94-c537df2e9afb | 1 | 2:03 | ||||||||||||||||||||||||||||||||||||||
| E | 0d0c84f1-0b60-4f62-a40b-c6a029a2d5c0 | 4 | 2:04–2:06 | ||||||||||||||||||||||||||||||||||||||
| F | 070662c2-ea2b-4c6f-977b-26295a3155d0 | 2 | 2:08 | ||||||||||||||||||||||||||||||||||||||
| G | 05a80733-6849-45b3-b4a1-2851503445b3 | 1 | 2:03 | ||||||||||||||||||||||||||||||||||||||
| H |
aa220836-d2fa-46c9-829a-34b43f77e5db
Also linked to
Let It Be by Paul McCartney, Oobu Joobu & Cook of the House by Paul McCartney and
|
2 | 1:59–2:02 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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| I |
25853fac-5bfa-46f8-8972-7d702221dd86
Also linked to
Let It Be Me (without Strings) by Bobbie Gentry
|
3 | 2:04 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 9e9d60d0-f636-4811-9f49-7b8b597d0bcc | 2 | 2:02–2:03 | ||||||||||||||||||||||||||||||||||||||
| K | 4cdecac6-327f-40a9-a9c9-d137a2a99cbd | 1 | 2:02 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.47 | 0.00 | 0.49 | 0.56 | 0.00 | 0.55 | 0.00 | 0.55 | 0.00 | 0.00 |
| B | 0.47 | — | 0.00 | 0.00 | 0.59 | 0.00 | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.49 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.56 | 0.59 | 0.00 | 0.00 | — | 0.00 | 0.61 | 0.00 | 0.49 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.55 | 0.60 | 0.00 | 0.00 | 0.61 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.55 | 0.00 | 0.00 | 0.00 | 0.49 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |