MusicBrainz recording
Oobu Joobu Superman Jingle & Reggae Story
Paul McCartney
1:53
c8b23a05-fa67-4def-9d08-97c776ad8887
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
57
linking them to it
Fingerprints
17
distinct audio files
Duration
1:50–2:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4525f4c7-8912-4ded-a5ae-4a6c0ba7600a
Also linked to
Intro: Oobu Joobu by Paul McCartney, Oobu Joobu (intro) by Paul McCartney
|
2 | 1:50 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 2d7f15f2-7638-4bd3-9ac8-76a3ddd25c83 | 2 | 1:52 | ||||||||||||||||||||||||||||||||||||||
| C |
2b93d9bd-a78a-4e5e-a915-8543bd2e13bc
Also linked to
Oobu Joobu & Cook of the House by Paul McCartney
|
2 | 2:07–2:08 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
7a6ee247-0118-4054-bc4f-aecd85d2fe99
Also linked to
Oobu Joobu (intro) by Paul McCartney, Intro: Oobu Joobu by Paul McCartney
|
2 | 1:57 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
cf178274-a1a5-4404-b764-7e810ee4455b
Also linked to
Oobu Joobu (rehearsal) by Paul McCartney, Intro: Oobu Joobu by Paul McCartney and
|
5 | 1:51–1:54 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
e2e4271f-9909-439c-9bcd-3b301975fe34
Also linked to
I’m in Love Again by Fats Domino, My Blue Heaven by Fats Domino and
|
2 | 2:05 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G |
aa220836-d2fa-46c9-829a-34b43f77e5db
Also linked to
Let It Be by Paul McCartney, Oobu Joobu & Cook of the House by Paul McCartney and
|
2 | 1:59–2:02 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.