open source audio identification
MusicBrainz recording
Enter Sandman
Metallica
5:28
live, 1992-01-11: Arco Arena, Sacramento, CA, US
c82a8ee0-e1a0-45a2-8be9-d621f648520e
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
150
linking them to it
Fingerprints
111
distinct audio files
Duration
2:45–5:38
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b9afffca-4d78-4b8e-a9fa-7643babcf066
Also linked to
Enter Sandman by Metallica
|
1 | 5:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
1cba131d-01a1-46ed-b9be-3110f8a4a2fd
Also linked to
Enter Sandman by Metallica, Enter Sandman by Metallica and
|
32 | 5:31–5:38 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
1d8886c0-2846-4d97-9a6c-48fc3c6627b9
Also linked to
Enter Sandman by Metallica, Enter Sandman by Metallica and
|
44 | 5:28–5:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
c0a671a9-ef77-4cd1-88ad-fac0f6d8ad3e
Also linked to
Enter Sandman by Metallica, Enter Sandman by Metallica and
|
26 | 5:24–5:31 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | c2dbf112-616f-45ee-b6f8-63b528416d63 | 1 | 2:45 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F |
04ede08a-a281-4fbb-b464-c721861abab4
Also linked to
Enter Sandman by Metallica, Enter Sandman by Metallica
|
6 | 5:32–5:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | eb3ce10f-56d0-472c-b457-bb0f3b8fae76 | 1 | 5:21 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.