open source audio identification
MusicBrainz recording
Billy, Don’t Be a Hero
Bo Donaldson and the Heywoods
3:40
c6310686-e972-4976-b572-06ae9d6e545a
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
548
linking them to it
Fingerprints
40
distinct audio files
Duration
3:38–3:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
839f0728-8a84-4af8-a89b-40c784f8153e
Also linked to
Where Have All the Flowers Gone by Johnny Rivers, Billy, Don’t Be a Hero by Bo Donaldson and the Heywoods and
|
6 | 3:40–3:42 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | a732d404-40f2-4cd1-b6ce-6e2fb36f644f | 1 | 3:43 | |||||||||||||||||||||||||||||||||
| C | e4464b82-c203-4a52-9092-3cf576dba0eb | 1 | 3:41 | |||||||||||||||||||||||||||||||||
| D | 20285bd8-f682-4cb5-bdd9-6d39f8762533 | 1 | 3:40 | |||||||||||||||||||||||||||||||||
| E |
a8480314-4b2a-46f1-a85d-ffb23a62c2f3
Also linked to
I Just Want to Celebrate by Rare Earth, I Just Want to Celebrate by Rare Earth and
|
6 | 3:38–3:45 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | e0a27b26-a5e3-4b81-8156-fd08222fc85b | 1 | 3:39 | |||||||||||||||||||||||||||||||||
| G |
fb44c5bf-0253-43d1-8c06-b292d2644f19
Also linked to
Billy, Don’t Be a Hero by Paper Lace, Billy Don't Be a Hero by Paper Lace and
|
16 | 3:45–3:50 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H |
7412d1d0-0d9f-453f-8b4f-83706669ae43
Also linked to
Billy, Don’t Be a Hero by Paper Lace, Billy, Don’t Be a Hero by Paper Lace
|
7 | 3:41–3:48 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | a2c86e70-d6da-477a-b727-a0313dac8626 | 1 | 3:43 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.42 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.58 |
| B | 0.42 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.40 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.40 | — | 0.00 |
| I | 0.58 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |