open source audio identification
MusicBrainz recording
Billy Don't Be a Hero
Paper Lace
3:34
re-recording
4e8d0e4c-e5da-444e-b4fc-dce4cf413479
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
242
linking them to it
Fingerprints
85
distinct audio files
Duration
3:23–3:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e2be6c1c-5953-4c06-8109-7ff0b9a5277a
Also linked to
Billy, Don’t Be a Hero by Paper Lace
|
33 | 3:29–3:38 | |||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||
| B | de66d25a-6fa4-4f1f-995c-d98de575c318 | 12 | 3:31–3:38 | |||||||||||||||||||||||
| C |
4e0a550f-0d0c-4eba-8b18-bd37d846c9cf
Also linked to
Billy, Don’t Be a Hero by Paper Lace, Billy, Don’t Be a Hero by Paper Lace
|
7 | 3:23–3:30 | |||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||
| D | b7a223ab-bfc5-4452-ad3d-55bba16e7969 | 6 | 3:25–3:32 | |||||||||||||||||||||||
| E |
fb44c5bf-0253-43d1-8c06-b292d2644f19
Also linked to
Billy, Don’t Be a Hero by Paper Lace, Billy, Don’t Be a Hero by Bo Donaldson and the Heywoods and
|
16 | 3:45–3:50 | |||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||
| F | 1670cc54-1788-4801-bebe-f54ed55eebcf | 2 | 3:36–3:37 | |||||||||||||||||||||||
| G | e255038a-19dd-463d-81ac-f2340bc0c555 | 2 | 3:33–3:34 | |||||||||||||||||||||||
| H | f65b9bf2-b806-4d00-968d-77b344aa8298 | 3 | 3:33–3:34 | |||||||||||||||||||||||
| I |
e4c38573-56c4-4465-9682-bffb55c513ed
Also linked to
Sweet Freedom by The Supremes, Sweet Freedom by The Supremes
|
2 | 3:40–3:41 | |||||||||||||||||||||||
|
Recordings linked to I
|
||||||||||||||||||||||||||
| J | 9095cdfd-5c8e-4155-979c-5b94276409e8 | 1 | 3:34 | |||||||||||||||||||||||
| K | 56772aa0-4123-4b31-a400-61a58738f83b | 1 | 3:24 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.85 | 0.80 | 0.48 | 0.00 | 0.47 | 0.48 | 0.38 | 0.00 | 0.00 | 0.00 |
| B | 0.85 | — | 0.88 | 0.50 | 0.00 | 0.53 | 0.45 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.80 | 0.88 | — | 0.49 | 0.00 | 0.56 | 0.52 | 0.40 | 0.00 | 0.00 | 0.00 |
| D | 0.48 | 0.50 | 0.49 | — | 0.00 | 0.00 | 0.94 | 0.69 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.47 | 0.53 | 0.56 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.48 | 0.45 | 0.52 | 0.94 | 0.00 | 0.00 | — | 0.67 | 0.00 | 0.00 | 0.00 |
| H | 0.38 | 0.00 | 0.40 | 0.69 | 0.00 | 0.00 | 0.67 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |