open source audio identification
MusicBrainz recording
Christmas in Killarney
Bing Crosby
2:43
a82f0f2e-b03a-4ed1-8b25-06ffd995407d
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
88
linking them to it
Fingerprints
57
distinct audio files
Duration
2:41–2:48
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
72a5ecd3-2d93-4e99-8345-b2cf5cc11d8e
Also linked to
Christmas in Killarney by Bing Crosby with Jud Conlon’s Rhythmaires and John Scott Trotter and His Orchestra, Christmas in Killarney by Bing Crosby and
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36 | 2:41–2:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
ff0753f3-6334-4a3e-99da-2cf946002e59
Also linked to
Christmas in Killarney by Bing Crosby with Jud Conlon’s Rhythmaires and John Scott Trotter and His Orchestra, Christmas in Killarney by Bing Crosby
|
13 | 2:41–2:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
087d1266-3fdb-4e3c-9a10-5ea450c5aab3
Also linked to
Christmas in Killarney by Bing Crosby with Jud Conlon’s Rhythmaires and John Scott Trotter and His Orchestra
|
4 | 2:43–2:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
d181b6aa-9422-4bef-8c0c-1d98e78fba10
Also linked to
Christmas in Killarney by Bing Crosby with Jud Conlon’s Rhythmaires and John Scott Trotter and His Orchestra
|
3 | 2:45–2:47 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E | aa45aa96-55c5-4e7d-a27e-7f8ac6ca532c | 1 | 2:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.