open source audio identification
MusicBrainz recording
Christmas Is A-Coming (May God Bless You)
Bing Crosby
2:43
52d7ab81-d43a-4d79-bc02-1c0c15221dda
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
12
linking them to it
Fingerprints
63
distinct audio files
Duration
2:39–2:52
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4de3fd7c-8f0b-4e39-b735-24246f0d89c0
Also linked to
I Heard the Bells on Christmas Day by Bing Crosby feat. The Ken Darby Singers, Do You Hear What I Hear? by Bing Crosby and
|
2 | 2:45 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
8f931236-bf44-42bc-ad30-7dd48934526d
Also linked to
Christmas Is a Comin’ by Bing Crosby, Christmas Is Comin’ by Bing Crosby and
|
17 | 2:40–2:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | e0d4b27d-fbda-42c8-bfeb-1ee7e408ea72 | 3 | 2:39–2:45 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
e00768bc-e19a-49fc-9b74-5c8999c539a9
Also linked to
Let a Smile Be Your Umbrella by Bing Crosby, Bob Scobey’s Frisco Jazz Band
|
3 | 2:50–2:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | ec006ec9-841a-4032-8074-f5252b9fa79a | 2 | 2:43–2:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F |
72a5ecd3-2d93-4e99-8345-b2cf5cc11d8e
Also linked to
Christmas in Killarney by Bing Crosby with Jud Conlon’s Rhythmaires and John Scott Trotter and His Orchestra, Christmas in Killarney by Bing Crosby and
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36 | 2:41–2:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.