open source audio identification
MusicBrainz recording
La bomba
Ricky Martin
4:36
a1e39aae-c2ef-44ff-99b4-39375f63b464
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
530
linking them to it
Fingerprints
39
distinct audio files
Duration
4:25–8:30
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
01935824-b67d-404d-91d2-8ba24faa00d4
Also linked to
I Count the Minutes by Ricky Martin
|
13 | 4:32–4:36 | ||||||||||||||||||
|
Recordings linked to A
|
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| B | 8c020b9d-94cd-40b5-b0e0-bc2260bff5a0 | 3 | 4:38–4:44 | ||||||||||||||||||
| C | b7b3a1b2-ed25-4594-ad11-74f29b9c8308 | 1 | 4:34 | ||||||||||||||||||
| D |
60629bd1-bc81-40db-938b-4261b3fd0c57
Also linked to
La bomba (remix) by Ricky Martin, La bomba (remix – radio edit) by Ricky Martin
|
6 | 4:28–4:32 | ||||||||||||||||||
|
Recordings linked to D
|
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| E | a7b27e20-9838-4b61-961f-d46de7a42266 | 1 | 4:36 | ||||||||||||||||||
| F | b7970daa-af03-4207-abe6-1545efae2240 | 1 | 4:36 | ||||||||||||||||||
| G |
b3e11960-86c2-4f1b-bae0-a0714ad14d9d
Also linked to
La bomba by Ricky Martin
|
1 | 5:48 | ||||||||||||||||||
|
Recordings linked to G
|
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| H | fc3c2690-d2f3-41ba-bd85-717d34b0e7ee | 1 | 8:30 | ||||||||||||||||||
| I |
d90980cf-a39b-4ff4-8f62-ae2a365dbc2e
Also linked to
La bomba by Karibean
|
7 | 4:25–4:27 | ||||||||||||||||||
|
Recordings linked to I
|
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| J | fb89e1b5-2270-4c22-be6e-f21ffd309662 | 1 | 4:38 | ||||||||||||||||||
| K |
41c56863-1487-4705-9805-adf01e55ba1f
Also linked to
King África Megamix by King África, La Bomba (King Africa megamix) by King África
|
3 | 4:46–4:47 | ||||||||||||||||||
|
Recordings linked to K
|
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| L | 698a5063-1a52-47f7-8a9d-df59a6614de4 | 1 | 4:35 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.95 | 0.72 | 0.00 | 0.00 | 0.64 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.64 |
| B | 0.95 | — | 0.73 | 0.00 | 0.00 | 0.62 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.67 |
| C | 0.72 | 0.73 | — | 0.00 | 0.00 | 0.51 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.73 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.64 | 0.62 | 0.51 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.38 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.64 | 0.67 | 0.73 | 0.00 | 0.00 | 0.38 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |