open source audio identification
MusicBrainz recording
I Count the Minutes
Ricky Martin
4:17
0069ced2-d8f0-4b3f-a536-ffe5939582c4
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
1,014
linking them to it
Fingerprints
69
distinct audio files
Duration
4:00–4:38
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6ed1dcf2-cfcc-4b29-80a7-35bab1657fae
Also linked to
Maria by Ricky Martin
|
3 | 4:17–4:18 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
24b69e13-3922-4dc0-8539-3f2914445861
Also linked to
Livin’ la vida loca by Ricky Martin, Livin’ la Vida Loca (Spanish version) by Ricky Martin and
|
37 | 4:00–4:06 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
c8b8ca4a-d85a-424f-bbeb-869c04893d73
Also linked to
María (Spanglish radio edit) by Ricky Martin, María (Spanish radio edit) by Ricky Martin and
|
16 | 4:31–4:38 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
01935824-b67d-404d-91d2-8ba24faa00d4
Also linked to
La bomba by Ricky Martin
|
13 | 4:32–4:36 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.