open source audio identification
MusicBrainz recording
What’s Going On (Detroit mix)
Marvin Gaye
4:07
7efe678b-ebe4-4cfa-8bab-2d01ce9d39b0
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
8
linking them to it
Fingerprints
89
distinct audio files
Duration
3:48–4:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7b30a95a-9878-4b56-8272-15ddfbeafbfd
Also linked to
What’s Going On by Marvin Gaye, What’s Going On (Rhythm & Strings mix) by Marvin Gaye and
|
79 | 3:48–3:55 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
996f7cd4-f908-46cf-9ec8-54307ca7c491
Also linked to
What’s Going On (original Detroit mix) by Marvin Gaye, What’s Going On (Detroit mix) by Marvin Gaye and
|
7 | 4:07–4:11 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
4c334af7-0732-4b9d-b01d-2002285d14b1
Also linked to
What’s Going On by Marvin Gaye, What’s Goin’ On by Marvin Gaye and
|
18 | 3:49–3:57 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
0f98a1ab-8806-497b-95d7-491d35ea44fe
Also linked to
What’s Going On (original Detroit mix) by Marvin Gaye
|
2 | 4:19 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
7c9c3bea-f4a8-4a3c-997e-46de66ee72d9
Also linked to
What’s Going On by Marvin Gaye, What’s Going On by Marvin Gaye
|
4 | 5:40–5:42 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 597a3294-7492-445d-a0ce-603feae1701b | 1 | 4:54 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.