open source audio identification
MusicBrainz recording
Lady Marmalade (instrumental)
Christina Aguilera, Lil’ Kim, Mýa & P!nk
4:23
6c5f587d-be56-4c70-9da9-2941584524da
View on MusicBrainz →
AcoustIDs
1
linked to this recording
Submissions
1
linking them to it
Fingerprints
8
distinct audio files
Duration
4:18–4:27
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
66ac1059-9895-429e-87de-2e2534a967b2
Also linked to
Lady Marmalade by Christina Aguilera, Lil’ Kim, Mýa and P!nk, Lady Marmalade (edit) by Christina Aguilera, Lil’ Kim, Mýa & P!nk and
|
25 | 4:24–4:30 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
b1687e39-7381-44d1-8863-14aa8b291df7
Also linked to
Lady Marmalade by Christina Aguilera, Lil’ Kim, Mýa & P!nk, Lady Marmalade by LaBelle and
|
4 | 4:13–4:15 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
6d1fc7d9-b363-4570-9e2c-9362e6366f7f
Also linked to
Lady Marmalade (Thunderpuss radio mix) by Christina Aguilera, Lil’ Kim, Mýa and P!nk, Lady Marmalade by Christina Aguilera, Lil’ Kim, Mýa & P!nk
|
3 | 4:09–4:10 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | 4a861c09-9abe-4c14-9c74-d8b0f8ce06f9 | 1 | 6:38 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E | 01e0073a-9a9b-46ea-9797-ba1338897521 | 2 | 2:06–2:11 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F |
12bb6c51-e074-4031-887a-0beac0d4e06b
Also linked to
Lady Marmalade by Christina Aguilera, Lil’ Kim, Mýa and P!nk, Lady Marmalade (edit) by Christina Aguilera, Lil’ Kim, Mýa & P!nk and
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8 | 4:18–4:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.