open source audio identification
MusicBrainz recording
Lady Marmalade
Christina Aguilera, Lil’ Kim, Mýa & P!nk
4:14
36bfd100-94fd-4078-933c-7fc7da38bfea
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
174
linking them to it
Fingerprints
30
distinct audio files
Duration
4:05–7:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b1687e39-7381-44d1-8863-14aa8b291df7
Also linked to
Lady Marmalade by LaBelle, Lady Marmalade (edit) by Christina Aguilera, Lil’ Kim, Mýa & P!nk
|
4 | 4:13–4:15 | |||||||||||||||||||||||
|
Recordings linked to A
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| B |
6d1fc7d9-b363-4570-9e2c-9362e6366f7f
Also linked to
Lady Marmalade (Thunderpuss radio mix) by Christina Aguilera, Lil’ Kim, Mýa and P!nk
|
3 | 4:09–4:10 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 57985efa-1120-4270-8dee-2fe4741330ea | 9 | 4:08–4:11 | |||||||||||||||||||||||
| D | ba4a4ab2-0da2-4504-b86b-a33215b23d69 | 1 | 4:33 | |||||||||||||||||||||||
| E | 033bb5a8-9938-4213-aeb3-169da89fd9f2 | 1 | 7:40 | |||||||||||||||||||||||
| F | e9a4752d-e559-4524-a971-7b3c81909e6b | 1 | 4:05 | |||||||||||||||||||||||
| G |
8592f488-537c-4f64-ba7a-16bffbfec1b1
Also linked to
Lady Marmalade by Christina Aguilera, Lil’ Kim, Mýa and P!nk, Lady Marmalade (edit) by Christina Aguilera, Lil’ Kim, Mýa & P!nk and
|
8 | 4:30–4:37 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 032c2539-83e2-4e64-af61-e082c84cf359 | 1 | 4:06 | |||||||||||||||||||||||
| I |
c0ea8e25-09ee-4a25-bfca-bce4aa7e6689
Also linked to
Lady Marmalade (Thunderpuss radio mix) by Christina Aguilera, Lil’ Kim, Mýa and P!nk
|
1 | 4:13 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J | f81f3cda-8295-440e-8855-72ded4be96c6 | 1 | 4:13 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.66 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.66 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |