MusicBrainz recording
I Just Called to Say I Love You
London Symphony Orchestra
4:19
64fdcc81-c641-4ced-9135-0fbf204b52ae
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
29
linking them to it
Fingerprints
82
distinct audio files
Duration
4:12–4:26
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e7416345-5d21-423e-a11d-772b8457b4d0
Also linked to
I Just Called to Say I Love You by Royal Philharmonic Orchestra, I Just Called to Say I Love You by The Shadows
|
1 | 4:12 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
b29f7583-8c56-4274-b850-5ec79efa36a7
Also linked to
I Just Called to Say I Love You by The Shadows, I Just Called to Say I Love You by The Shadows and
|
8 | 4:17–4:23 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
4afb0bf7-d661-4e9b-b2f7-119f1791fc1c
Also linked to
I Just Called to Say I Love You by The Shadows, I Just Called to Say I Love You by The Shadows
|
3 | 4:20–4:26 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
a8bbcb7c-48aa-45f8-a575-ba74fc05b377
Also linked to
I Just Called to Say I Love You by Stevie Wonder
|
1 | 4:18 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
d438a663-ef5e-4c89-bcae-6a5f53ea94b2
Also linked to
I Just Called to Say I Love You by Stevie Wonder, I Just Called to Say I Love You by Stevie Wonder and
|
69 | 4:17–4:26 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.