open source audio identification
MusicBrainz recording
I Just Called to Say I Love You
Stevie Wonder
4:25
live, 1995‐09‐11: Teddington Studios, London, UK
5a5c6843-8410-42f2-a13d-9c6ebdf04526
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
20
linking them to it
Fingerprints
90
distinct audio files
Duration
4:05–4:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 97dfd542-946d-436e-affb-b2bff908b85b | 2 | 4:25 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
3dff3a79-a17d-4be6-87cc-c51ee996b855
Also linked to
I Just Called to Say I Love You by Stevie Wonder, I Just Called To Say I Love You (Instrumental) by Stevie Wonder and
|
6 | 4:18–4:25 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
083e9023-da29-405f-9641-f897b7de126b
Also linked to
I Just Called to Say I Love You by Stevie Wonder, I Just Called to Say I Love You by Stevie Wonder
|
4 | 4:25–4:33 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
d438a663-ef5e-4c89-bcae-6a5f53ea94b2
Also linked to
I Just Called to Say I Love You by Stevie Wonder, I Just Called to Say I Love You by Stevie Wonder and
|
69 | 4:17–4:26 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | 63572f48-ea92-4ed9-b6d7-8f67e90757b4 | 1 | 4:24 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F |
14c4681b-52d8-49af-bab8-6a0d9334593b
Also linked to
I Just Called to Say I Love You by Stevie Wonder
|
8 | 4:05–4:16 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.