open source audio identification
MusicBrainz recording
I Don’t Like Mondays
Bon Jovi featuring Bob Geldof
5:38
live, 1995‐06‐25: Wembley Stadium, London, England, UK
43df491b-a187-41b4-b770-95d491493d1e
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
1,077
linking them to it
Fingerprints
16
distinct audio files
Duration
4:53–6:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6cb746f2-680d-4b02-aa6f-4f8b100e260f
Also linked to
I Don’t Like Mondays by Bon Jovi & Bob Geldof, I Don't Like Mondays by Bon Jovi feat. Bob Geldof and
|
4 | 5:34–5:37 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
025f7c47-e2d9-4378-bccd-743feb758c9d
Also linked to
I Don’t Like Mondays (live) by Bon Jovi featuring Bob Geldof
|
1 | 5:45 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
dbc8c37b-3852-4038-a75e-19a2106824d0
Also linked to
I’ll Be There for You by Bon Jovi, I’ll Be There for You by Bon Jovi and
|
8 | 5:37–5:44 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | 009dc615-afff-439d-b06c-8e85a5a73f96 | 1 | 4:53 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 89c956fa-168b-4c43-9794-dffb241f2b70 | 1 | 5:37 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| F | 02ee683f-5f9d-421d-8f24-580c11aa4b59 | 1 | 6:00 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.