open source audio identification
MusicBrainz recording
This Guy’s in Love With You
Herb Alpert & the Tijuana Brass
4:00
2c4f46c8-4a3e-499e-bd28-465b5be1af6a
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,215
linking them to it
Fingerprints
63
distinct audio files
Duration
3:42–4:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d330928f-e57a-41b3-a447-f2f72a3e9734
Also linked to
This Guy’s in Love With You by Herb Alpert & the Tijuana Brass, Being With You by Smokey Robinson and
|
26 | 3:54–4:01 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
2964e9cb-c46e-4cab-addf-55f843d93cfc
Also linked to
This Guy’s in Love With You by Herb Alpert & the Tijuana Brass
|
4 | 3:57–4:02 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
d91860e7-3aca-41d7-82c0-140fb193a471
Also linked to
This Guy’s in Love With You by Burt Bacharach, This Guy's in Love With You by Herb Alpert & the Tijuana Brass
|
13 | 3:57–4:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | c88523e7-7086-4d6a-ada0-22dc99add552 | 3 | 4:03–4:10 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
a711f614-2e6c-43a2-95c3-d06c18ddf0fb
Also linked to
This Guy’s in Love With You by Herb Alpert & the Tijuana Brass, Being With You by Smokey Robinson
|
9 | 3:51–3:58 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 52396ac6-80e2-498f-a7e4-8b99c4c52132 | 1 | 3:42 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 9e8dc337-a442-4a7c-b6d7-389b904b718e | 2 | 4:15–4:20 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | a17bb969-d26b-4189-9529-436b00a57582 | 1 | 3:56 | ||||||||||||||||||||||||||||||||||||||||||||||||
| I | b11dea5b-d513-4658-b90c-95645a5c6fe6 | 2 | 3:59–4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
| J | fd0827cd-4044-4e62-a01e-6a62453971a4 | 1 | 4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
| K | 14d99365-01e2-4860-a884-de05a20cae08 | 1 | 4:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.59 | 0.78 | 0.81 | 0.00 | 0.00 | 0.58 | 0.50 | 0.00 | 0.00 | 0.00 |
| B | 0.59 | — | 0.72 | 0.70 | 0.90 | 0.00 | 0.93 | 0.43 | 0.00 | 0.20 | 0.00 |
| C | 0.78 | 0.72 | — | 0.89 | 0.68 | 0.00 | 0.72 | 0.50 | 0.00 | 0.00 | 0.00 |
| D | 0.81 | 0.70 | 0.89 | — | 0.72 | 0.00 | 0.71 | 0.48 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.90 | 0.68 | 0.72 | — | 0.00 | 0.95 | 0.56 | 0.00 | 0.34 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.58 | 0.93 | 0.72 | 0.71 | 0.95 | 0.00 | — | 0.48 | 0.00 | 0.19 | 0.00 |
| H | 0.50 | 0.43 | 0.50 | 0.48 | 0.56 | 0.00 | 0.48 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.20 | 0.00 | 0.00 | 0.34 | 0.00 | 0.19 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |