open source audio identification
MusicBrainz recording
Being With You
Smokey Robinson & The Miracles
4:07
697072a0-34b8-4d1e-96e7-e236762c2a5c
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
106
linking them to it
Fingerprints
102
distinct audio files
Duration
3:54–4:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1d042bf9-bb90-4efd-8b15-9f1e090662e4
Also linked to
Being With You by Smokey Robinson, When I’m With You by Sheriff and
|
23 | 4:03–4:10 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
c5f623dd-c262-4b39-a806-28d5edb91a3a
Also linked to
Being With You by Smokey Robinson, Quiet Storm by Smokey Robinson & The Miracles and
|
31 | 3:54–4:01 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
d330928f-e57a-41b3-a447-f2f72a3e9734
Also linked to
This Guy’s in Love With You by Herb Alpert & the Tijuana Brass, This Guy’s in Love With You by Herb Alpert & the Tijuana Brass and
|
26 | 3:54–4:01 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
7b1d8b92-745a-4eac-a869-24e78d64a62a
Also linked to
Being With You by Smokey Robinson, Being With You by Smokey Robinson & The Miracles and
|
9 | 3:57–4:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
0566ee61-8eac-436e-9756-bdd5f2460189
Also linked to
Being With You by Smokey Robinson, Being With You by Smokey Robinson & The Miracles and
|
13 | 3:57–4:04 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.