MusicBrainz recording

I Wanna Be Your Man

The Beatles 2:37 live, 1966-07-01: Nippon Budokan Hall, Tokyo, Japan
2a3b6d0f-27c7-4f58-9d4b-00488f13873e View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
78
linking them to it
Fingerprints
34
distinct audio files
Duration
2:28–2:46
range of submitted files

AcoustIDs

Most submitted first, 3 disabled
Show 3 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 19db1ac6-beaa-45f0-9809-91182edbe632
Also linked to I Wanna Be Your Man by The Beatles, I Wanna Be Your Man by The Beatles and
2 2:28
20
B 0618381c-81e6-4b73-a69f-788adde2721a
Also linked to I Wanna Be Your Man by The Beatles, I Wanna Be Your Man (BBC From Us to You) by The Beatles and
2 2:36
17
C 68b74a05-af0e-41e0-8553-2d43566e794d
Also linked to I Wanna Be Your Man (BBC From Us to You) by The Beatles, I Wanna Be Your Man by The Beatles and
6 2:28–2:34
11
D aca08c9d-ec5b-45fa-a226-de9e5c1ba26a
Also linked to I Wanna Be Your Man by The Beatles, I Wanna Be Your Man by The Beatles
2 2:38
9
E 833aeff3-643c-4cd2-8cd6-9b9328664700
Also linked to I Wanna Be Your Man by The Beatles, I Wanna Be Your Man by The Beatles and
2 2:46
7
F ce9e93c5-ab81-45b2-8b69-7e98a948486d
Also linked to Nowhere Man by The Beatles, Nowhere Man by Rab Howat and
4 2:34–2:36
4
G 7ad39597-f33b-44cf-a80f-3c32e24f250b
Also linked to I Feel Fine (Budokan Hall) by The Beatles, I Feel Fine by The Beatles and
5 2:29–2:36
2
H 5c785b06-8b3a-4c90-a5e9-0bb57f0dd95c
Also linked to I Wanna Be Your Man by The Beatles, I Wanna Be Your Man (1965 stereo edit) by The Beatles
5 2:29–2:32
2
I 13cd44ef-8bd4-4e1c-a220-bf7b01e24393
Also linked to I Wanna Be Your Man by The Beatles, I Wanna Be Your Man by The Beatles and
2 2:32
2
J 3631af41-b46c-4a72-a27a-4e41b6b14ed6 2 2:37
2
K 0a7eb814-ae4f-4f6c-948b-d29b449b374c
Also linked to I Wanna Be Your Man by The Beatles, Nowhere Man by The Beatles and
1 2:33
1
L 9c06d272-9732-461a-b1d4-c2b1f0affa59 1 2:34
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.